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Why Music Sucks In 2007

by maggieloveshopey | 12/12/2007 | in independent music | tired old git complaining about the kids

(I'm reprinting this from my actual blog, seeing as KPunk (I think) had something nice to say about it, and it may be of interest to some of you. It originally came at the end of a series of entries about my favourite records of the year)

...It’s interesting to me that this selection features a lot of instrumental music.I’m thinking this reflects a malaise in the contemporary scene, because it sure looks to me like no one has anything to say anymore.
The US is saddled with one of the worst administrations in their history, a horrendous gaggle of corporate whores with their noses in the trough, their eyes blinded with corrupt ideology and their hands giving you the finger. A similar situation under Reagan threw up Husker Du, Big Black, The Minutemen, Black Flag, a thriving underground full of fire and passion who railed against these charlatans. It was similiar in the UK as well. Okay, so Crass were unlistenable and Red Wedge was an embarrassment, but at least people were trying to do something positive.
What’s the equivalent in 2007? A load of self indulgent rich kids playing ghastly pseudo-folk escapist twaddle about unicorns and fairies and then trying to sell it to advertising companies and clueless Pitchfork-reading hipsters. I’m looking at you, Devendra Banhart. And your friend Joanna Newsom. Jesus Christ Almighty, it has come to something when you can write 20 minute songs about fairy tale cities, play them on the harp and get critically lauded for it instead of, as would happen in any right-thinking world, pelted with rocks as soon as you step out of your front door.
Not that the UK gets off any easier. How did we go from “Ghost Town” (STILL officially the greatest single ever made) to The View singing about wearing the same jeans for a few days in a row? Did someone put something in our drink? I’m pretty sure I wasn’t consulted. Still, why make or listen to anything challenging when there’s an eviction on Big Brother?
Go back to sleep, people, your government is looking after you.

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KPunk's picture
Submitted by KPunk on Wed, 12/12/2007 - 9:14am.

Yep, that was me stalking your other blog. I think these are good points, but I would argue that there were some diamonds in 2007. But like usual, you wouldn't find them in the mainstream. And yes, "Ghost Town" is still fucking awesome.


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^ ^ ^
r.john's picture
Submitted by r.john on Wed, 12/12/2007 - 9:28am.

besides Fiest and the new PJ Harvey,
all the music I got was OLD.

I like to be behind the times.

But I agree.
It used to be that punk meant
a hearty fuckall to authority.
Conservative regimes produced
and inspired a host of important
bands. But look where it landed us?

Ultimately their angry music was just
a mire of entertainment, as hollow
and shallow as the unicorn prancy
stadium rawkers like Coheed and Camberia.

The Husker Dus and COCs and Crasses all
failed to stop the swelling tide of neo-con
shit that drowns us today. Maybe it was
unstoppable by any means and I am being too
hard on the underground entertainers, but
fuck me, if it doesn't suck.

Also, one can not underestimate the swaying
power, the all consumingness, of a hot war
draining the blood of us all. No matter what
snide and socialist rhetoric we can spew
regarding the exterminating angels of our
armed forces, the universality of those
effected and enrolled in the Iraq project
is an inescapable heart-rending reality.

or something.


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You all make valid points, but
KungFuFlipperBaby's picture
Submitted by KungFuFlipperBaby on Wed, 12/12/2007 - 9:38am.

Cheap Trick were from Rockford, Illinois, not the UK

What ever happened to those quarter operated tv's in bus stations anyways?


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i can't think off the top of
Submitted by hopper2k on Wed, 12/12/2007 - 9:51pm.

i can't think off the top of my head of releases this year i've really liked other than Dillinger Escape Plan's Ire Works which i think is amazing...fo shiz.

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I can't quite get my head around this
steep's picture
Submitted by steep on Thu, 12/13/2007 - 6:41pm.

Of course I agree that most accessible modern music sucks, but I'm not sure that the situation is any worse now than at other times.

I can't prove it is, anyway.

Bands like Minutemen or Black Flag might have meant something in the Reagan era because the punk sound had not yet been co-opted, although it was on the way. Similar bands around now probably don't get the attention they should because getting global exposure for any form of radical media is virtually impossible.

I don't see that as being a failing on the part of the underground. Sure, Fagjen Faggens can get uber-popular, uber-fast by producing exactly the right kind of escapist, whimsical acoustic marshmellow music at exactly the right time. But there was some petty fucking hideous music around in the Reagan era too, right? So why are we comparing Husker Du with Devendra Banhart?

Maybe we're too used to having easily accessible product, and have stopped looking deep enough into the underground to find the things that are really vibrant.

Amd maybe Gilligan will get off the island one day. Or something.


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*C * *
r.john's picture
Submitted by r.john on Fri, 12/14/2007 - 10:44am.

all i really know is that myspace is making a lot
easier for me to hate bands like i did back in the
radio days, a quick listen and BOOM i can say with
some authority that your new favorite band SUXXX.

Also.
The entertainment industry writer's strike
is the best thing to happen to america
since 9/11.


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((((((:::::::::::::::::::::::::::)))))
r.john's picture
Submitted by r.john on Sun, 12/16/2007 - 6:49pm.


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