I have been locked in the belly of a slave ship.
Greg, I have been working with Derek on America's Got Talent. Details forthcoming.
I have been locked in the belly of a slave ship.
Greg, I have been working with Derek on America's Got Talent. Details forthcoming.
how we can force Americans to pay attention to our ideas. Getting ahold of the delivery mechanism was already a slippery thing as far back as fifty years ago and it is well nigh impossible now without some afflatic chicanery. The classical wish-fulfillment example is of course where you simultaneously pirate all the channels and are all like, "Citizens! Dig it! You been hoodwinked! Bamboozled! Had the wool pulled over your eyes!" But they will probably just turn it off.
The source, Ray Nelson's "Eight O'Clock in the Morning," was one of my favorite stories as a kid, even before the movie came out. It is kind of sad and kind of inevitable that I found that story identifiable when I was, you know, ten. It is also my belief that my life is very much like THEY LIVE, with the salient exception that unlike Rowdy Roddy I am a craven weakling and my response to the alien takeover is to hide out in the desert hoping the aliens do not notice me, because I do not think that there is any way to win against the aliens; even when you think you have shaken off their control they still control you in subtle ways. Which of course is the *SPOILER* moral of Nelson's story.
Predictably, I also liked Bradbury's "The Pedestrian."
THEY LIVE is great.
Of the Roddy Piper films tho, I like HELL COMES TO FROGTOWN better. Only because there is a direct correspondence between that movie and STRAIGHT TO HELL. And I think it is women driving pick up trucks.
I seriously want someone to write an essay about film for my next zine.
Yes! That's the one. It just never gets old for me, no matter how many times I watch it. I love how it goes on for far too long, too.
Awesome fucking movie.

out now
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